BOOK DESIGN2024
Typesetting, cover design, and layout of the comic book Šl* jsme to nahlásit (We Reported It). The collective Proč jsme to nenahlásily*i (Why We Didn't Report It) first published stories of survivors of sexual violence online, and after several years and a disturbing number of testimonies, decided to publish them in print as well.
ALBUM COVER2025
Lettering for Johanela's new album called Kdo Jsi ty (Who Are You). Collaboration with Marija Romanova.
VISUAL IDENTITY2024
Create a visual solution for the two entities of elementary school (ZŠ Montessori v Praze 12) and parents' association (Rodičovský spolek) belongs together, but have to be recognisable from each other. The school logo represents the relationship between child, parent, and school. The second logo is about cooperation between parents and the school. The new identity also includes posters (A4) as invitations to upcoming events and the annual report.  
VISUAL IDENTITY2023
Visual identity stands on the key values of the Konsent organization dealing with sexual harassment and rape like respect and core consent. My idea works with photography of human skin or body in which I physically press/print those values as an act of its presence required to deal with such problematic behavior. To connect photography and typography I also work with an idea of human boundaries represented by an outline that bounds the type around, inspired by a quote: “Everyone‘s boundaries are different. What one considers a flirt can be harassment for another. But everyone has the right to set their boundaries and have them respected.”
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VISUAL IDENTITY2022
My unselected concept for 17th Festival Animánie works with an analogue deformation of typography through glass. Inspired by the referenced era of Czechoslovak cinematography and the theme of the year: film laboratory. The layout is based on analogue fields and stop-motion principles, the means of visualizing a motion.
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BOOK DESIGN2021
Handmade haptic book, designed to explore fundamental ways of expression in graphic design as point, line and area perceived not by our eyes, as we usually view graphic design, but by touch.
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VISUAL IDENTITY2022
Visual identity for the 17th Pilsen based festival Animánie, which is an international competition for young filmmakers. This year’s theme the film laboratory refers to the works of the great Czechoslovak film makers and visual culture and draws on their famous titles like Limonádový Joe, Adéla ještě nevečeřela and others. We decided to work with ilustrations referring to movies from this era. (catalogue: Lucie Daňková; posters: Anna Dudáková; merch: Karolína Kellovská, Anna Dudáková; other printed media: Karolína Kellovská)
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VISUAL IDENTITY2021–22
Cultural antropology project, visual identity, informative instagram posts, posters and podcast promotion.
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POSTSTAMPS2018
Post stamps celebrating the anniversary of 100 years since American women won the right to vote.
PHOTOGRAPHY
Except graphic design I very much enjoy capturing the space around me, situations, structures seen in nature or in the city, cloud behavior, or situations in the public space I found amusing.